1More Quad Driver Review – Consumer Reference
Once a subsidiary of Xiaomi, producer of the renowned Pistons earphone line, 1More has since branched off into its own, more premium audio brand. But as with many Asian manufacturers, 1More can get a little exuberant with their innovation, producing truly oddball products like their Capsule In-ear and even their very unorthodox E1008 earbud that I reviewed here. And while innovation is an imperative driving force in the industry, I would still argue that 1More’s strength lies within their more traditional products, their classic Piston derivatives, and their widely celebrated value champion, the Triple Driver Hybrid.
But 1More’s experience with smartphone manufacturer Xiaomi has definitely influenced their development strategy; 1More have begun refining their current products rather than further branching out through the innovative and unorthodox, something that I would consider just as important. And leading charge is 1More’s very striking Quad Driver In-ear, an evolution of the triple driver that came before. With an asking price of $200 USD ($300 AUD), the Quad Driver once again represents terrific value on a per-driver basis. But as always, specs and real world performance often live in complete isolation. Let’s see how the 1More Quad Drivers hold to up some of the best hybrid driver earphones on the market and whether their sophisticated driver array is refined enough to outperform more traditional earphones such as the Meeaudio Pinnacle P1 and Hifiman RE-600.
I would like to thank Ari from 1More very much for his fantastic communication and for providing me with the Quad Driver for the purpose of review. There is no monetary incentive for a positive review and despite receiving the earphones free of cost, I will attempt to be as objective as possible in my evaluation.
About Me – Some background, Gear of choice, Preferences and Biases
I generally prefer a slight v-shape to my sound, but still closer to neutral. I like a lot of detail and clarity, but can appreciate a smooth, laid back sound such as that on the X10`s. I prefer a more neutral midrange within a relatively tight tolerance, but I`m probably more forgiving of brightness over darkness. I`m not particularly treble sensitive and can tolerate large amounts without fatigue, though too much ruins the enjoyment. If I use a different eartip/pad/cover during the review I will note that and describe the sound changes.
As with the E1008, the Quad Driver is impeccably packaged with punchy renders and a magnetic latch embossed with a brushed metal 1More emblem.
Within the box, 1More presents the buyer with a very systematic accessory layout that is both satisfying and comprehensive.
Perhaps most immediately noticeable is the extensive array of included ear tips. Due to the exceptionally large bore size of the earphones themselves, buyers are mostly delegated to the included ear tips though luckily, 1More include 9 pairs, 6 silicone, and 3 foam. The silicone tips, in particular, are very finely sized and I had no issue finding a tip that fit me. The fine sizing also allows slight tailoring of fitment depth, notably impacting soundstage and bass performance. Should buyers still struggle to achieve a proper seal, the included memory foam tips are of pleasing quality, slightly improving isolation and providing a more individualized fitment.
In addition, the Quad Driver is outfit with a nice magnetic pleather hard case, a ¼ inch adaptor and a nice brushed metal shirt clip and airplane adapter. So not only are accessories copious, each is also of excellent quality, contributing to the Quad Driver’s air of premium quality.
Like the HA-2 from Oppo, 1More’s ties with smartphone manufacturing giant Xiaomi can be appreciated through the Quad Driver’s impeccable build quality and absolutely eye-grabbing design. From the outset, the earphones are entirely metal though they rarely become cumbersome while feeling appropriately dense and premium. The tapered housings are visually reminiscent of streamlined jet engines while the red accented vents imbue interest without becoming gaudy or ostentatious. Although the earphones are comprised of multiple components, all mesh together with great accuracy, making every facet feel perfectly integrated and impressively rigid. The gunmetal colour scheme is more conventional though just as premium as the purple/rose gold scheme used before.
As their name would suggest, the Quad Drivers house 4 drivers (3BA+1Dynamic) within each housing. But while other hybrid driver earphones utilize an over ear fit with a negative profile, notable examples including the Dunu DK-3001 and Oriveti New Primacy, the Quad Drivers assume a more traditional, consumer friendly cable-down fitment. As a result, the earphones are more convenient to wear/remove, but this design also makes them quite large, dwarfing the minute Hifiman RE-600.
RE-600 – Quad Driver – XBA-40
But through well-angled nozzles combined with the tapered housings, the Quad Drivers produce brilliant long term comfortable and a surprisingly stable fitment that reminds me of the JVC FX range of earphones. Of note, I did try wearing the earphones over-ear, the RE-600 for example, lends itself well to such a fit, though the Quad Driver’s long stems and shallow fitment didn’t produce reliable results; they are very much a cable-down earphone.
Of course, the Quad Driver’s aren’t perfect and the nature of their fitment and large size do produce some notable shortcomings when compared to the very ergonomically sound New Primacy’s, RE-600’s and Pinnacle P1. For instance, by placing the 3 BA drivers within the nozzle, the Quad Drivers do have abnormally large nozzle diameter making tip-rolling extremely difficult. Those wide, short nozzles and large housings also produce a notably shallow fitment resulting in below average to average passive noise isolation. With the right tips (I had to go two sizes up from the default tips due to the shallow fit), the Quad Drivers attenuated just enough noise for public transport though they are definitely not suited for use in especially loud environments nor any form of activity.
I would consider the cable to be an upgrade over the fabric sheathed unit installed on the Triple Driver and E1008. The Quad Driver’s come with an OFC cable with Kevlar reinforcement, great for tensile strength but I have found these cables to be stiff and microphonic in the past. Luckily, the unit 1More have used on the Quad Drivers is sound with a smooth texture that easily routes through clothing and clear sheathing that reveals the 3 conducting paths snaking below, adding some visual intrigue. A well relieved right angle plug, metal terminations and a fantastic remote complete the package with the remote being particularly notable both in construction and function.
For instance, all three buttons function both on Android and IOS, the integrated mic is of great quality and the aluminium buttons feel super clicky and responsive. In addition, the buttons are easily discerned with the volume buttons being slightly convex and the centre MFB having a concave surface.
As far as the cable itself goes, being Kevlar reinforced, it is a bit stiff and springy but also incredibly tangle resistant, essentially untangling itself when removed from a pocket or case due to that springy nature and smooth texture. This does mean that the earphones are difficult to coil and store though the tangle resistance is outstanding. Being stiff, the cable also picks up a decent amount of microphonics but when compared to similar cable-down earphones, the Quad Driver is surprisingly quiet in that regard, perhaps due to the very laterally placed stems that place the cable away from the face, similar to the Klipsch X10. I would prefer more strain relief on the remote and earphones themselves though by the looks of the design there should be some internal relief. The cable is not removable like a lot of earphones around this price though the cable is of great quality and various features such as the right angle plug and tangle resistance will prolong the life of the earphones by reducing stresses on the cable and terminations.
New Primacy – Quad Driver
The Quad Drivers ultimately provide a great first impression on comfort, design, and durability. They are ergonomic with a solid cable-down fit and ample stability for basic commute. Of course, I would prefer a removable cable, but the included cable is more pragmatic in daily use than the rubbery unit on the New Primacy and the thin cables on the RE-600 and Sony XBA-40. The Pinnacle P1 is probably the Quad Driver’s closest competitor with the same asking price and metal construction though the finish on the Quad Drivers is considerably more refined, making the P1 feel almost unfinished by comparison. Still, all of the aforementioned earphones provide a deeper fit, are similarly comfortable and also isolate a lot more, making them more versatile for activity and travel. But if you prefer a shallower fitting earphone or perhaps simply a cable down fit (though the Pinnacle P1 can be worn both ways), the Quad Driver is quite outstanding.
On the hardware side of things, the Quad Drivers utilize 3 balanced armature drivers in addition to a single carbon dynamic driver for a total of 4 drivers per ear. However, 1More have utilized a very unorthodox crossover method, dedicating the dynamic driver to both bass and midrange while delegating 2 armature drivers to high frequencies and the final armature driver to ultra-high frequencies. Through such a setup, the Quad Drivers achieve a more consistent sound from sources of varying output impedance and a slightly more coherent bass to midrange performance when compared to less integrated multi-driver earphones like the Sony XBA-40.
Of note, I did find the Quad Drivers to be quite bassy on first listen though after 150 hrs of burn-in, I did find them to become a little more balanced throughout, not surprising since the majority of the sound is produced by the dynamic driver. In all fairness, I was listening to the very neutral Hifiman RE-600 before hearing the Quad Driver, but I would surmise that the sound differences are a combination of both physical burn-in and some psychological adjustment. After some more extended listening, I have found the Quad Driver to be just modestly v-shaped; they aren’t neutral or even balanced, but provide an engaging consumer reference sound.
The Quad Drivers have a relatively low impedance of 32ohms combined with an average sensitivity of 99dB. As such, they did require a few more volume notches than the New Primacy and RE-600, they were similarly difficult to drive as the Pinnacle P1. The Quad Drivers definitely benefit from a nice source, they struggled from my iPod Nano with a considerable loss of soundstage space, air and separation and plugging them into my HTC 10 or Oppo HA-2 immediately yielded superior results. That being said, I did notice a much larger difference switching from the Nano to my HTC than switching from my HTC to my HA-2, the Quad Drivers were definitely intended to be driven by smartphones, given the nature of the driver array, and most modern smartphones should have no issue driving these earphones. The earphones remained quite tonally consistent, they were vastly less affected by output impedance than the Sony XBA-40’s but unevenness in the high end was prevalent on high impedance sources. The Quad Driver’s aren’t overly susceptible to hiss but will pick up small amounts on particularly noisy sources, on my HA-2 and Hidizs AP60, hiss was just audible but easily overpowered when music was playing.
I’ll admit that I’m a sucker for v-shaped earphones and the 1More Quad Driver is a well-executed example indeed. They aren’t quite as balanced as the New Primacy and are considerably more v-shaped than the slightly mid-forward RE-600 though they are also more balanced overall than the Pinnacle P1 which I found to have quite an aggressive upper midrange/lower treble response and slightly scooped lower mids. In that regard, the Quad Driver retains plenty of balance to maintain genre versatility.
Soundstage, Imaging and Separation –
Being a vented, shallow fitting earphone, the Quad Drivers definitely hold an advantage over other sealed earphones in terms of soundstage performance offering an especially immersive performance. Booting up a live recording of Eric Clapton’s “Layla” and “Nobody Knows You When You’re Down and Out” and the most immediately noticeable aspect of the Quad Driver’s sound was their exemplary instrument separation. Great layering and delineation between instruments, vocals and audience produced a performance that handily bested the Pinnacle, RE-600 and even the more expensive New Primacy. In addition, impressive handling of complex passages flatter faster genres such as rock and electronic without sounding disjoint like the XBA-40. Soundstage space is also very impressive, especially depth which provides almost holographic projection of vocals and atmospheric effects. Of these earphones, the Pinnacle P1 had the most noticeably large soundstage, mainly in width, though the Quad Driver almost matches that out of the head width with far more depth, once again producing a more immersive sound. Imaging takes a bit of a hit due to the size and nature of the Quad Driver’s soundstage though centre image is quite strong and instrument placement is easily discerned; they just fail to match the incredibly sharp placement provided by the RE-600’s and New Primacy. Overall, if soundstage is a large priority, the Quad Driver is hard to beat within this price range, especially with regards to separation. Fans of classical, rock and electronic genres, in particular, will find much to love within the Quad Drivers tasteful v-shaped tuning and exceptional soundstage performance.
Bass is boosted, but is well done in terms of tuning. The bass boost is mostly focussed within deep/lower-bass with surprisingly balanced mid-bass and upper-bass responses. Though the earphones still have a slight mid-bass boost, the earphones don’t sound particularly thick or warm and the low-end has both nice clarity and a notable lack of bloat. Due to the nature of this bass boost, the Quad Drivers can sound slightly muddy and even tubby at times, especially in stark contrast to very neutral earphones like the RE-600, though I would still consider them to be relatively balanced throughout their low-end in the grand scheme of things; the Pinnacle P1, for instance, is similarly tubby if not slightly more so. Bass also isn’t ever present nor does it ever drone as with more mid-bass boosted earphones, allowing for greater transparency on vocal tracks. The Pinnacle P1 is a similarly impressive performer in regards to bass with just slightly less emphasis overall. However, the Pinnacle places its emphasis more in the mid-bass, sounding punchier but less natural as a result. Bass also reaches considerably deeper on the Quad Driver than the P1, and those that thought the P1 was missing rumble or slam will find that physical bass response with the Quad Driver without bass ever becoming overwhelming or loose. The RE-600 and New Primacy provide tighter bass responses than both, excelling with greater PRAT whilst retaining a similar amount of extension, if slightly more in the New Primacy’s case. In terms of tuning, the New Primacy has more of a sub-bass emphasis while the RE-600 has similar tuning to the Quad Driver albeit with vastly less quantity; it’s really a matter of taste, but I would definitely lean towards the Quad Driver and New Primacy as their tuning generally comes with the least compromises.
Otherwise, bass is articulate with really nice bass resolution and definition to each note, they actually sound quite similar to the Pinnacle in that regard, perhaps a factor of their exemplary soundstages. However, when listening to The Cranberries “Wanted”, each of those notes was missing some texture, especially evident in comparison to the outstanding Oriveti New Primacy and the leaner RE-600. That’s not to say that bass is slow or sloppy, the earphones had no issue keeping up with the fast basslines and rapidly transitioning tones of Michael Jackson and the Red Hot Chilli Peppers but that last bit of bass detail that I would expect at this price is missing. Still, the definition and clarity of bass notes are among the better earphones I have heard and when combined with the tasteful tuning, the Quad drivers rarely fail to impress; I think they’re a really well-performing earphone that provide no shortage of bass definition and slam without encroaching upon bass-head levels of quantity.
It may come as a surprise, but to my ear, the most impressive aspect of the Quad Driver’s audio performance is the midrange. It’s an evolution of the very balanced tone carried by 1More’s E1008, with greater clarity and resolution throughout. Breaking it down, the Quad Driver has quite a clear, balanced midrange that sits slightly behind the bass and treble but remains easily discernible and almost perfectly prominent. This is achieved via a moderate clarity boost and a slightly brighter tone. That being said, the midrange is very even, vocals are smooth if not quite as clean and sliky as the New Primacy, and this clear character remains consistent throughout the entire midrange. When compared to the RE-600, which I consider to be somewhat of a midrange benchmark, the Quad Driver had a similar emphasis on upper and lower midrange instruments though mids were considerably clearer and slightly fuller. Meanwhile, the New Primacy was even more full-bodied and slightly darker and the Pinnacle P1 was very aggressive though its upper midrange, sounding detailed and revealing but also a little unrefined and at times fatiguing. The Quad Driver sits in-between the New Primacy and RE-600 in terms of body, being slightly fuller than neutral but hardly thick or warm. Vocals are very clear with great layering and definition and clarity is fantastic without coming across as strident; the Quad Drivers have that smoother dynamic driver midrange tone, not unlike the Sennheiser ie800. This clarity does grant a slightly raspy tone to the midrange, especially with female vocals, though vocals never sound thing or overly artificial.
The Quad Driver is quite aggressively detailed, not to the extent of the more forward Sony XBA-40 and Pinnacle P1, but more so than the New Primacy with the RE-600 being even more laid-back. Listening to R.E.M.’s “The Sidewinder Sleeps Tonight” and Indigo Girl’s “Sugar Tongue” and the Quad Driver impresses with great clarity and detail to acoustic guitar plucks and strums, revealing small intricacies that the more laid-back RE-600 tended to skip over while sounding more natural than the, even more, detail forward Pinnacle P1. The New Primacy did tend to resolve more detail though it is also a smoother earphone that places details more in the background with the Quad Driver sounding more engaging and excited. Similarly, listening to Modest House’s “Float On” and the Quad Drivers provided a reproduction with very nice midrange resolution and layering. Due to their v-shaped tuning, vocals were more recessed than the other earphones I’ve mentioned in this review though the Pinnacles were similarly recessed due to their thicker midrange and brighter tonal balance which pushes lower mids a little further behind in the mix. Still, all of these earphones provided pleasing intimacy to vocals though I did prefer the presentation of the RE-600’s and New Primacy’s which provided a little more balance to this slightly mid-recessed track and a little more raw detail and coherency. The Quad Driver ultimately produces a very clear, layered midrange with great resolution and very good detail retrieval that is edged out only by the most exemplary earphones around this price range such as the slightly more expensive New Primacy. Being v-shaped, vocals are slightly recessed, though the midrange is more even than most v-shaped earphones like the Pinnacles and their clear character means that midrange notes are never overshadowed.
Despite having such a comprehensive treble driver array, I didn’t find the Quad Driver to hold any significant advantage over the Pinnacle, New Primacy or even RE-600 in regards to high-frequency performance. They do depart from the New Primacy and RE-600 in terms of tuning, with more similarity to earphones such as the ie800 and Sony XBA-40. A middle treble boost around 8KHz imbues the sound with aggressive detailing and clarity but also slight irregularity to treble, resulting in a loss of detail and some coherency issues (tested from a low output impedance source). The RE-600 and New Primacy, though more laid-back do sound more coherent and linear in the highs which contribute to their fantastic detail retrieval though the Quad Driver does have slightly better top end extension and a lack of any high-end roll-off. Once again, I found the Quad Driver to be more linear than the Pinnacle though the P1 also produced considerably more treble sparkle and was slightly more detailed. Despite this, I still prefer the Quad Driver for long-term listening and their aggressive, slightly forward treble response combined with their expansive soundstage and stellar separation creates an intoxicating sound with great air and shimmer.
But coming back to that uneven middle treble spike, I do feel that the Quad Drivers produce some harshness on treble-forward songs such as Radiohead’s “Creep”. That being said, treble does behave itself, for the most part, producing a well-detailed and textured sound that flatters cymbals, electric guitar, and atmospheric effects. When listening to Creep, the Quad Driver produced a nice rendition with cymbals sounding extended and well-bodied. On the contrary, the Pinnacle sounded slightly thin and splashy but also resolved slightly more detail in the upper registers while the more linear New Primacy and RE-600 both resolved more texture to each treble note along with a cleaner presentation than both the P1 and Quad Driver. Similar impressions carry over when listening to Queen’s “Killer Queen” where the Quad Driver was appropriately revealing and crisp with nice clarity to the finger snapping within the intro and high-hats throughout the chorus without sounding overly like wood sticks. The RE-600 immediately impressed with a very even treble response that provided more insight into those snaps though cymbals and high-hats were more rolled-off, losing out air and shimmer. The New Primacy was similarly revealing to the RE-600 while maintaining a natural tone and had no issue with extension apart from a slight roll-off at the very top. So I do think that Quad Driver is a nice sounding earphone though due to the nature of 1More’s treble boost, the can sound a little disjointed at times. More neutral earphones like the RE-600 do have noticeably more detail in the lower treble region along with more texture to high-notes. The 1More’s redeem themselves through greater extension, a lack of any roll-off and a slightly forward sense of detail and clarity that infuses the sound with excitement and energy without being quite as grating as either the Sony XBA-40 or Meeaudio Pinnacle P1.
I feel like the $200 price class is where earphones start getting really good with some truly outstanding offerings providing splendid price/performance ratios that make me question earphones within higher price ranges. I also like to take a look at the manufacturers marketing pitch for these earphones before getting down to my review. Though marketing will always be a sell, it does reveal glimpses of the designer’s intentions and goals and it’s interesting to see these actualised within the finished product. With the 1More, their marketing led me only to concern with 1More clearly selling towards a more consumer audience.
But upon hearing their latest earphones, those concerns were immediately dispelled. The Quad Drivers provide a clear, engaging and mostly natural sound that comfortably matches the best in class through their notably strong soundstage and midrange performances; of course, they should, given their more open form factor. The earphones also aren’t too source picky so long as they have adequate power. So while the Quad Drivers may be sculpted, they are an exceedingly tasteful take on the popular V-shaped tuning that I know a lot of listeners enjoy. They actually remind me of the Bowers and Wilkins P7’s, not a balanced, neutral or even linear set of headphones, but one whose delicate sculpting produced a rewarding listen.
Overall – 8.5/10, The Quad Drivers have a very tastefully tuned v-shaped signature that will likely come off as balanced to consumers and charmingly engaging to enthusiasts. While their shallow fitting form factor fails to match the practicality of the ergonomically exemplary New Primacy, RE-600 and Pinnacle P1, the Quad Drivers are more convenient to use with a more conventional fit and universal remote/mic. The Quad Driver is a gorgeous in-ear whose consumer exterior houses the internal workings of an audiophile masterpiece.
The Quad Driver is currently available from Amazon for $195 USD, please see the link below for the most updated pricing and availability:
Hi Ryan. Another great review. I am currently torn between this, the 747 ANC, and the iBasso IT01. Most audiophiles might easily differentiate the three but to me, they’re all favorable IEMs that fall under the $200 price range. I’ve read your reviews for each of them and how they fare against their closest competitors, but I’d like to know how you compare these three. Can you help me decide what’s best for me? I have a preference for v-shaped sound that has more pronounced bass. The 747 is cheap in itself and right now the quad driver is going for $50 less than MSRP (for a promo only), so I’m tempted to go for the bargain. Thoughts?